Chalk Pastels on acid-free paper

Clara Pagone as YELENA & Alana Rader as SONIA in UNCLE VANYA by Anton Chekhov.
Graphite pencil on acid-free lined composition notebook paper.

Chalk pastel on acid-free paper.

Chalk pastel on acid-free paper..

Oil pastel on acid-free paper

Chalk pastel on acid-free paper.

Chalk pastel on acid-free paper.

Chalk pastel on acid-free paper

Oil pastel on acid-free paper.

Chalk pastel on acid-free paper

Chalk pastel on acid-free paper

Chalk pastel on acid-free paper

Chalk pastel on acid-free paper

Chalk pastel on acid-free paper

Chalk pastel on acid-free paper.

Chalk pastel on acid-free paper.

Chalk pastel on acid-free paper

Chalk paste, graphite pencil, & crayon on acid-free paper

Chalk pastel on acid-free paper.

Crayon on acid-free paper

Chalk Pastels on acid-free paper

Clara Pagone as YELENA & Alana Rader as SONIA in UNCLE VANYA by Anton Chekhov.
Graphite pencil on acid-free lined composition notebook paper.

Chalk pastel on acid-free paper.

Chalk pastel on acid-free paper..

Oil pastel on acid-free paper

Chalk pastel on acid-free paper.

Chalk pastel on acid-free paper.

Chalk pastel on acid-free paper

Oil pastel on acid-free paper.

Chalk pastel on acid-free paper

Chalk pastel on acid-free paper

Chalk pastel on acid-free paper

Chalk pastel on acid-free paper

Chalk pastel on acid-free paper

Chalk pastel on acid-free paper.

Chalk pastel on acid-free paper.

Chalk pastel on acid-free paper

Chalk paste, graphite pencil, & crayon on acid-free paper

Chalk pastel on acid-free paper.

Crayon on acid-free paper

Poster for Kieran Carroll's Absurdist one act, AUSTRALIA'S OLDEST MAN

Unused poster design for MIDNIGHT BRAINWASH REVIVAL by Kirk Wood Bromley

Illustration for world premiere production of QUINT AND MISS JESSEL AT BLY by Don Nigro.
Chalk pastel on acid-free paper.

Illustration for stage production of A BRIEF HISTORY OF MURDER by Richard Lovejoy.
Black pen on acid-free paper.

Poster for Staged reading of WANTS UNWISHT WORK by Kirk Wood Bromley
Graphite pencils, black ink & coloured pencil finishing.

Poster for 2004 production of LE LYCANTHROPE by Timothy McCown Reynolds.
Chalk pastel on acid-free paper.

Oil pastel on acid-free paper

Oil pastel on acid-free paper

Oil pastel on acid-free paper

Oil pastel on acid-free paper.

Ballpoint and Black Sharpie on Acid-free paper for illustration in "4E 4Ever D&D Zine"

Ballpoint and Black Sharpie on Acid-free paper for illustration in "4E 4Ever D&D Zine"

Ballpoint and Black Sharpie on Acid-free paper for illustration in "4E 4Ever D&D Zine"

Ballpoint and Black Sharpie on Acid-free paper for illustration in "4E 4Ever D&D Zine"

Ballpoint and Black Sharpie on Acid-free paper for illustration in "4E 4Ever D&D Zine"

Ballpoint and Black Sharpie on Acid-free paper for illustration in "4E 4Ever D&D Zine"

Concept art for META/STASIS, a thus-far unrealized science-fiction film by GOTTA/ENK

Concept art for META/STASIS, a thus-far unrealized science-fiction film by GOTTA/ENK

Black ball-point on acid-free paper

Illustration used as a stage prop for performances of RUDOLF II by Edward Einhorn

Guffo di tasso

Illustration for Nosedive Theatre Company benefit.
felt-tip pen and coloured pencil on acid-free paper.

Illustration for Nosedive Theatre Company benefit.
felt-tip pen and coloured pencil on acid-free paper.

Poster for Kieran Carroll's Absurdist one act, AUSTRALIA'S OLDEST MAN

Unused poster design for MIDNIGHT BRAINWASH REVIVAL by Kirk Wood Bromley

Illustration for world premiere production of QUINT AND MISS JESSEL AT BLY by Don Nigro.
Chalk pastel on acid-free paper.

Illustration for stage production of A BRIEF HISTORY OF MURDER by Richard Lovejoy.
Black pen on acid-free paper.

Poster for Staged reading of WANTS UNWISHT WORK by Kirk Wood Bromley
Graphite pencils, black ink & coloured pencil finishing.

Poster for 2004 production of LE LYCANTHROPE by Timothy McCown Reynolds.
Chalk pastel on acid-free paper.

Oil pastel on acid-free paper

Oil pastel on acid-free paper

Oil pastel on acid-free paper

Oil pastel on acid-free paper.

Ballpoint and Black Sharpie on Acid-free paper for illustration in "4E 4Ever D&D Zine"

Ballpoint and Black Sharpie on Acid-free paper for illustration in "4E 4Ever D&D Zine"

Ballpoint and Black Sharpie on Acid-free paper for illustration in "4E 4Ever D&D Zine"

Ballpoint and Black Sharpie on Acid-free paper for illustration in "4E 4Ever D&D Zine"

Ballpoint and Black Sharpie on Acid-free paper for illustration in "4E 4Ever D&D Zine"

Ballpoint and Black Sharpie on Acid-free paper for illustration in "4E 4Ever D&D Zine"

Concept art for META/STASIS, a thus-far unrealized science-fiction film by GOTTA/ENK

Concept art for META/STASIS, a thus-far unrealized science-fiction film by GOTTA/ENK

Black ball-point on acid-free paper

Illustration used as a stage prop for performances of RUDOLF II by Edward Einhorn

Guffo di tasso

Illustration for Nosedive Theatre Company benefit.
felt-tip pen and coloured pencil on acid-free paper.

Illustration for Nosedive Theatre Company benefit.
felt-tip pen and coloured pencil on acid-free paper.

Black ink pen on acid-free paper.

Black ink pen on acid-free paper.

Character concept of FISTULA from TEMPTATION by Vaclav Havel.
Black ink on acid-free paper.

Character concept of Peter Quint from QUINT & MISS JESSEL AT BLY by Don Nigro.
Black ink & coloured pencil on acid-free paper.

Black ink on acid-free paper.

Black ink pen on acid-free script paper fro RUDOLF II by Edward Einhorn.

Black ink pen on acid-free script paper fro RUDOLF II by Edward Einhorn.

Character concept sketch of AUGUSTUS EARLE for ON THE ORIGIN OF DARWIN by Kirk Wood Bromley.
Graphite pencil on acid-free script paper for ON THE ORIGIN OF DARWIN by Kirk Wood Bromley.

Character concept sketch of AUGUSTUS EARLE for ON THE ORIGIN OF DARWIN by Kirk Wood Bromley.
Graphite pencil on acid-free script paper for ON THE ORIGIN OF DARWIN by Kirk Wood Bromley.

Black ink pen on acid-free paper.

Character concept sketch of KING LOUIE ALEXANDER from UNIVERSAL RUNDLE by Trav SD.
Black ball-point pen on acid-free paper.

Character concept sketch for LEVERET from THE DEATH OF GRIFFIN HUNTER by Kirk Wood Bromley.
Graphite pencil on acid-free paper.

Black ink on acid-free lined composition notebook paper.

Graphite pencil on acid-free lined legalpad.

Character concept sketch for DOLAN from LINE by Israel Horovitz.
Black pen on acid-free paper.

Graphite pencil on acid-free script page.

Bryan Enk as JIMMY from BONEDIVE SCROUNGER by Fred Backus.
Rehearsal sketch. Graphite pencil on acid-free script page.

Rehearsal sketch. Graphite pencil on acid-free script page.

Graphite pencil on acid-free lined composition pad.

Black ink pen on acid-free paper.

Black ink pen on acid-free paper.

Character concept of FISTULA from TEMPTATION by Vaclav Havel.
Black ink on acid-free paper.

Character concept of Peter Quint from QUINT & MISS JESSEL AT BLY by Don Nigro.
Black ink & coloured pencil on acid-free paper.

Black ink on acid-free paper.

Black ink pen on acid-free script paper fro RUDOLF II by Edward Einhorn.

Black ink pen on acid-free script paper fro RUDOLF II by Edward Einhorn.

Character concept sketch of AUGUSTUS EARLE for ON THE ORIGIN OF DARWIN by Kirk Wood Bromley.
Graphite pencil on acid-free script paper for ON THE ORIGIN OF DARWIN by Kirk Wood Bromley.

Character concept sketch of AUGUSTUS EARLE for ON THE ORIGIN OF DARWIN by Kirk Wood Bromley.
Graphite pencil on acid-free script paper for ON THE ORIGIN OF DARWIN by Kirk Wood Bromley.

Black ink pen on acid-free paper.

Character concept sketch of KING LOUIE ALEXANDER from UNIVERSAL RUNDLE by Trav SD.
Black ball-point pen on acid-free paper.

Character concept sketch for LEVERET from THE DEATH OF GRIFFIN HUNTER by Kirk Wood Bromley.
Graphite pencil on acid-free paper.

Black ink on acid-free lined composition notebook paper.

Graphite pencil on acid-free lined legalpad.

Character concept sketch for DOLAN from LINE by Israel Horovitz.
Black pen on acid-free paper.

Graphite pencil on acid-free script page.

Bryan Enk as JIMMY from BONEDIVE SCROUNGER by Fred Backus.
Rehearsal sketch. Graphite pencil on acid-free script page.

Rehearsal sketch. Graphite pencil on acid-free script page.

Graphite pencil on acid-free lined composition pad.